![]() Modern prisons are viewed in this paper as highly specific configurations, providing a critical infrastructure for the forging of a new relationship between subjects and the imperial state. “The Coercive Function of Early Medieval English Art.” Radical History Review 2020, no. As such, these sculptures model a relationship between art and coercive power predicated on historically specific expectations about sculpture’s capacity to instruct and surveil. Compelling pictures of prisoners and verbal images of captivity flourished as a kind of carceral imaginary in the public landscape before the carceral state’s rise, as well as licensing forms of community policing in which early medieval subjects were required to participate. By identifying a series of features that early medieval spectators would have paid special attention to, it shows that sculptors used imprisoned and fugitive figures to craft a discourse about power in the absence of both a strong state and a regime of punitive incarceration. ![]() ![]() This article examines the spectacular representation of confinement in early medieval English sculpture in the context of poems, sermons, and translations. ![]()
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